“What Kind of Ancestor Do I Want to Be?: The First Nations Dialogues” in TDR: The Drama Review (forthcoming).
“Not So Authentic Kabuki: An Interview with Brooke O’Harra” in ASAP/Journal, invited contribution as part of a special Dossier on “Performing History,” Volume 4, Number 1, January 2019
Co-Author with Juan Gallardo, "Some Notes on Performance Studies and the More Speculative Genres" Global Performance Studies, Issue 1.2, January 2018
"Queer Form, Quiet Frame: A Sense of Alaska Native Aesthetics in Emily Johnson's The Thank-You Bar" in ASAP/Journal, Special Issue on "Queer Form" ed. Kadji Amin, Amber Musser and Roy Pérez, Volume 2, Number 2, May 2017
"The Veering Escapology of Sharon Hayes and Patty Hearst" in WSQ:Women’s Studies Quarterly, Special Issue on “Survival” ed. Frances Bartkowski, Taylor Black and Elena Glasberg, Volume 44, Issues 1 & 2, Spring/Summer 2016
"All Light’s Fragments: A Conversation with the Artist MPA" in Women & Performance: a journal of feminist theory, Special Issue on “Precarious situations: feminist genealogies, affective labor, and outsourced performance,” ed. Tavia Nyong’o, 2013
Co-Author with Julia Steinmetz, “The Dirt on Feminist Landscapes” in Women and Performance: A Journal of Feminist Theory, Volume 21, Issue 1, 2011
“(Re)sounding Fantasy: The Hideously Fabulous Wizard People, Dear Reader” in Media-N: Journal of New Media, 2006