Articles:
“a wallow is a noun turned inside out and upside down: Tanya Lukin Linklater” Movement Research Performance Journal (forthcoming, 2026)
“Inviting and Promising” conversation with Emily Johnson, The Routledge Companion to Performance Art (forthcoming, 2026)
“A Family History of Arctic Science,” ASAP/Journal, Dossier Issue on “Ice Poetics” (ASAP Journal, Volume 10, Issue 2, May 2025
“What Kind of Ancestor Do You Want to Be?: The First Nations Dialogues” in TDR: The Drama Review, Volume 64, Number 2, Summer 2020
“Not So Authentic Kabuki: An Interview with Brooke O’Harra” in ASAP/Journal, invited contribution as part of a special Dossier on “Performing History,” Volume 4, Number 1, January 2019
Co-Author with Juan Gallardo, "Some Notes on Performance Studies and the More Speculative Genres" Global Performance Studies, Issue 1.2, January 2018
"Queer Form, Quiet Frame: A Sense of Alaska Native Aesthetics in Emily Johnson's The Thank-You Bar" in ASAP/Journal, Special Issue on "Queer Form" ed. Kadji Amin, Amber Musser and Roy Pérez, Volume 2, Number 2, May 2017
"The Veering Escapology of Sharon Hayes and Patty Hearst" in WSQ:Women’s Studies Quarterly, Special Issue on “Survival” ed. Frances Bartkowski, Taylor Black and Elena Glasberg, Volume 44, Issues 1 & 2, Spring/Summer 2016
"All Light’s Fragments: A Conversation with the Artist MPA" in Women & Performance: a journal of feminist theory, Special Issue on “Precarious situations: feminist genealogies, affective labor, and outsourced performance,” ed. Tavia Nyong’o, 2013
Co-Author with Julia Steinmetz, “The Dirt on Feminist Landscapes” in Women and Performance: A Journal of Feminist Theory, Volume 21, Issue 1, 2011
“(Re)sounding Fantasy: The Hideously Fabulous Wizard People, Dear Reader” in Media-N: Journal of New Media, 2006